For New York-based artist Mada, art has always been about evolution. Heavily influenced by her time living in Hong Kong, her work traces a line back to her childhood days spent doodling in classrooms. What began as simple stick figures has transformed into a complex exploration of form and character, all created within the sanctuary of her room, surrounded by books, magazines, and figurines.
Mada shares an obsession with Japanese anime culture, mirroring the artists she admires most: Ayoko Rokkaku and Yoshitomo Nara. However, she distinguishes her work by building upon the 'Superflat' postmodern art movement. Mada incorporates a more three-dimensional approach, utilising shadows and highlights to give her characters a unique depth that pops off the canvas.
Her professional journey took a sharp turn following her graduation in Animation (with a Minor in Fashion). While she initially sought a place in the New York animation domain, the global pause caused by the COVID-19 pandemic changed her trajectory. Mada veered away from the production studio pipeline and began creating for herself.
Leaning into oil paintings and digital prints, she found her true voice. Her favourite piece—her first oil painting—was completed while listening to the soundtrack of Serial Experiments Lain, and it now marks the beginning of her independent artistic career.
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Where does Mada go for inspiration?
From her studies at the Fashion Institute of Technology to her adventures at NYC’s AnimeCon, there is much more to learn about Mada’s journey. To read the full feature and get her advice for young artists, check out EMERGENCE, the 1st volume of INTERLUNAR’s zine.
